Night Shoot of the Challenging Variety
Yes, the four co-founders of Heady Hoop Tribe (HHT) are attractive young ladies and all are very talented but those aren’t the only reasons they’re hot. After 30 minute sets of dancing, prancing, jumping and cavorting with a variety of LED props, they’re literally HOT as in working up a sweat and panting like a race horse. At my age, it was the only way I was going to have a young, good looking woman sweating and panting next to me! It was fun to shoot subjects far removed from my usual fare of birds, critters, landscapes and old rusty stuff.
A friend in the Wickenburg Photography Group invited me to be 2nd shooter for this gig which included free admission to the Phoenix Botanical Garden Chihuly Exhibit. The women were great to work with and took direction well. It was fun to work with young people again. The most challenging aspect was getting the exposure right without including bystanders in the background.
I didn’t know much about the assignment until we got to the Desert Botanical Garden. It turned out the performers were among the crowd, a’la street performers. In such situations, if you give the crowd an inch, they’ll fill it two and three deep with spectators. I went with my 5D MkII and 50/1.4 so I could get in close. I wished I had brought my 17-40/f4 but you know what wishing gets you! To avoid shadows across the neck and below the chin, I handheld my flash low on an off-camera shoe cord (OCSC) to throw the light upwards. That also guaranteed no red-eye issues. Focus concerned me but I ran the numbers through a Depth of Field Calculator and felt comfortable with DOF at 6 to 10 feet. I culled about 33% OOF (out of focus) on my first review but I was happy with the results. With shutter speeds ranging from 0.4 to 0.6 seconds, the camera was on my small Gitzo 1228 tripod but I also experimented with handholding. In those photos, the stationary background lights are blurred. The trick was using a long enough shutter speed to capture lots of action without completely blowing out the LEDs. The flash was strictly to freeze the performer.
I set my Canon 550EX to Manual Mode and dialed in between 1/8 to 1/4 power depending on the distance to the subject. There was a certain amount of “By guess & by golly” to dial in the proper power but, after the first 30 minute set, I felt pretty comfortable making adjustments “on the fly.” By midnight the troupe had performed 4 sets with 30-minute breaks between each set. In the future, I’ll use my
cheap inexpensive LumoPro LP120 ($130, no longer available) because mechanical switches are much easier to adjust and re-adjust “on-the-fly.” The eagle-eyed will notice the flash cast harsh shadows but, I hope, judicious cropping and dodge/burn minimized them.
All photos were processed through LR4 but beyond Straighten/Crop, Levels/Saturation and minor Dodge/Burn, all these photos are pretty much SOOC (straight out of camera.) I ended up with about 24 keepers out of 167 frames, a 14% keeper rate so I can’t complain. Here are some more
Next time, I’ll post an article about the headshots WPG (Wickenburg Photography Group) did for the local police and fire departments. I’ll cover gear, set-up, posing and post-processing.